Showing posts with label soundcloud. Show all posts
Showing posts with label soundcloud. Show all posts

Thursday, 29 November 2012

Fidlar

Ah, now this is fucking immense.

LA troupe Fidlar make really wickedly scuzzy, oldskool, surfy garage rock and roll. This has been done many a time, in disappointingly neutered fashion, by a veritable parade of would-be no-goods. This here, this is better. Much better. You do not get the impression these miscreants would fill onstage bottles of Jack with iced tea. They're self-denigrating and cut-throat, obnoxious but legitimately fucking fun. At their least interesting they sound like the Death Set, but elsewhere it's harder and faster and uglier.

They've been touring with the Hives and Jeff the Brotherhood, if that gives you an inkling to the kind of fun you're about to encounter. But unlike the Hives' cartoon punk or JTB's WOO! RIFFS! outlook, Fidlar's songs come with a bitter, serrated edge. Don't expect Proust - "I - DRINK - CHEAP - BEER - SO - WHAT - FUCK - YOU" is a sample of the wordsmithery employed by these dudes. But "White on White", above, is a compellingly nihilistic middle finger to the joy of being army drafted - the fast-and-fuck-you Stooges yell is the first thing you'll notice, but it gets a lot darker once you take in the words - a succinct account of a society drop-out being shoved overseas and out of the way to 'serve' his country.

Tuesday, 27 November 2012

Rebekka Karijord

You know the 90s revival is in full swing when singers start sounding like Sarah McLachlan again. Listening to the new Rebekka Karijord record. It's quite pretty, very melancholic, and if she's not wearing a long floaty dress and Doc Martens while singing this, then I've been lied to. This one's off the Norwegian singer's second LP. Maybe I sound a bit dismissive, but it's actually a beautiful record. I don't agree with the 'what a pioneer!' panting I've read about her though; the way she uses her vocals (melodramatic minor chords, great big tragic harmonies, vulnerable high notes and trills emerging from an obviously powerful voice, plenty of studio layering with lots of background aaaahs...) the soft, pensive piano... there's a thick streak of Lilith Fair running through the whole record. Familiar but certainly very listenable. She's got some UK dates in January, if this is your bag.